MACBETH
Roman Burdenko*
LADY MACBETH
Sondra Radvanovsky
MACDUFF
Joshua Guerrero*
BANCO
Christian Van Horn°
CHICAGO (8/2/2021) – The long wait is almost over! Live, in-person grand opera is just weeks away. Single tickets go on sale tomorrow, August 3, at 10:00 a.m., for Lyric Opera of Chicago’s exciting new season, opening on Friday, September 17, with a brand-new production of Verdi’s Macbeth. After the successful reimagining of its 2020/21 Season, everyone at Lyric looks forward to welcoming audiences back to the Lyric Opera House this fall for the company’s 67th Season, presented by Invesco QQQ.
"Once again audiences can experience everything we have to offer in person — glorious singing and acting, splendid orchestral playing, and engaging musical storytelling in productions not previously seen on our stage," said Anthony Freud, general director, president & CEO of the world-renowned company. "Lyric will again thrill our in-person audiences with drama, suspense, love, laughter, revelation, and all the emotions that great music unleashes," Freud declared. “Longtime opera goers and newcomers alike will be captivated by the experiences we offer this season."
Additionally, Freud noted, “our beautiful Lyric Opera House is now more accessible than ever. Thanks to a generous anonymous donor, we have replaced every seat in the house, reshaped the theater with widened aisles, and created improved sightlines and better ease of access throughout. Our returning and first-time audience members will enjoy an enhanced experience within our beautiful walls.”
Enrique Mazzola, Lyric’s new music director, will be on the podium for the season’s first two operas, Macbeth and The Elixir of Love, and will return for Proving Up early in 2022. “I am excited to start rehearsals later this month for these two Italian operas that are so different from each other, musically and dramatically,” Mazzola said. “We will start the season with a dark and stormy drama and a sunny romantic commedia — like the tragedy-comedy motifs you see in the opera-house decor!”
The 2021/22 Season opens with the exciting production premiere by Sir David McVicar of Verdi’s Macbeth and the sparkling new-to-Chicago production by Daniel Slater of Donizetti’s The Elixir of Love (performed in repertory Sept. 17- Oct. 9).
In November, Lyric will present a charming silent movie-inspired production by Barrie Kosky of Mozart’s The Magic Flute and the Lyric premiere of Daniel Catán’s haunting Florencia en el Amazonas, inspired by a novel by Gabriel García Márquez, in a production by Francesca Zambello. This will be Lyric’s first presentation of a main stage Spanish-language opera in the regular season. Both productions are new to Chicago, with performances Nov. 3 - 28.
In late January 2022, Missy Mazzoli’s recent opera Proving Up, about the elusiveness of the American dream for homesteaders in the 1870s, will have its Lyric premiere in the Owen Theatre at Goodman Theatre, with performances Jan. 22 - 30. Tickets to Proving Up will be on sale in September 2021.
A classic new-to-Chicago production of Puccini’s Tosca and the Lyric premiere of Terence Blanchard’s riveting recent opera Fire Shut Up in My Bones will close the season with performances Mar. 12 - Apr. 10.
Lyric’s beloved former music director, Sir Andrew Davis, will return to conduct Lyric’s first-ever performance of Beethoven’s Ninth Symphony on April 1. The concert, featuring the Lyric Opera Orchestra and Chorus, and four outstanding soloists to be announced at a later date, will be dedicated to the memory of Davis’s wife, the soprano Gianna Rolandi (1952-2021), who served as director of Lyric’s Ryan Opera Center 2006-2013.
As single tickets go on sale for the upcoming season, Lyric is constantly monitoring public health and safety guidelines. The company is committed to communicating with transparency as policies and best practices evolve.
Here are Lyric’s current plans:
At the theater, audiences can expect:
Additional information is available at lyricopera.org/safety.
“We are eager to welcome everyone back safely and comfortably to the Lyric Opera House for the shared community and the life-affirming power of live performance. See you in September, and beyond!” Freud said.
He added that Lyric will welcome The Joffrey Ballet this season “as our resident ballet company at the Lyric Opera House, a genuine partnership that will bring new audiences to our beautiful, iconic home.” Lyric productions will alternate with Joffrey productions over the course of the season.
Call 312-827-5600 or visit lyricopera.org to purchase tickets for individual Lyric performances starting at 10am on Tuesday, August 3. In addition to tickets to individual shows, subscription packages are still available and offer the best savings, overall. Visit lyricopera.org/subscribe for series dates, pricing details, and full season calendar.
For the ultimate in variety and flexibility, consider a Create Your Own (CYO) Series, in which you customize your selection of at least three shows — any title, any date, any price zone to suit your taste and schedule. CYO packages start at just $29 per show. Curated subscriptions, including set dates and titles, include packages that start at just $40 per show on the Main Floor.
English translations on a screen above the stage for opera performances make it easy for everyone to follow the stories for every opera.
Here’s what’s in store for Lyric’s new season:
NEW PRODUCTION
Verdi
MACBETH
Sung in Italian with projected English texts
September 17, 23 matinee (m), 30, October 3m, 6m, 9, 2021
MACBETH
Roman Burdenko*
LADY MACBETH
Sondra Radvanovsky
MACDUFF
Joshua Guerrero*
BANCO
Christian Van Horn°
CONDUCTOR
Enrique Mazzola
DIRECTOR
Sir David McVicar
SET DESIGNER
John Macfarlane
COSTUME DESIGNER
Moritz Junge
LIGHTING DESIGNER
David Finn
CHORUS MASTER
Michael Black
CHOREOGRAPHER
Andrew George
*Lyric Opera debut
°Ryan Opera Center alumnus
Macbeth is a co-production of Lyric Opera of Chicago and Canadian Opera Company.
Maestro Enrique Mazzola is generously sponsored by Alice & John Butler, Sylvia Neil & Daniel Fischel, and the Robert & Penelope Steiner Family Foundation
Lyric’s new co-production of Verdi’s Macbeth is generously made possible by Abbott, Julie & Roger Baskes, Marlys A. Beider, and Patricia A. Kenney & Gregory J. O’Leary.
NEW-TO-CHICAGO PRODUCTION
Donizetti
THE ELIXIR OF LOVE
Sung in Italian with projected English texts
September 26m, 29m, October 2, 5, 8, 2021
ADINA
Ailyn Pérez
NEMORINO
Charles Castronovo
BELCORE
Joshua Hopkins
DULCAMARA
Kyle Ketelsen
CONDUCTOR
Enrique Mazzola
DIRECTOR
Daniel Slater*
DESIGNER
Robert Innes Hopkins
LIGHTING DESIGNER
Simon Mills*
CHORUS MASTER
Michael Black
CHOREOGRAPHER
Tim Claydon
*Lyric Opera debut
The Elixir of Love is a co-production of Lyric Opera of Chicago and San Francisco Opera, originally created by Opera North, UK.
Maestro Enrique Mazzola is generously sponsored by Alice & John Butler, Sylvia Neil & Daniel Fischel, and the Robert & Penelope Steiner Family Foundation
Lyric’s presentation of Donizetti’s The Elixir of Love is generously made possible by Sonia Florian.
NEW-TO-CHICAGO PRODUCTION
Mozart
THE MAGIC FLUTE
Sung in German with projected English texts
November 3, 7m, 11m, 14m, 17m, 19, 27, 2021
PAMINA
Ying Fang
QUEEN OF THE NIGHT
Lila Dufy*
TAMINO
Pavel Petrov*
PAPAGENO
Huw Montague Rendall*
SARASTRO
Tareq Nazmi*
MONOSTATOS
Brenton Ryan
CONDUCTOR
Karen Kamensek*
ORIGINAL DIRECTORS
Suzanne Andrade*
Barrie Kosky*
REVIVAL DIRECTOR
Tobias Ribitzki*
DESIGNER
Esther Bialas*
ANIMATION DESIGNER
Paul Barritt*
Conception “1927”*
CHORUS MASTER
Michael Black
*Lyric Opera debut
A production of the Komische Oper Berlin, co-produced by Los Angeles Opera and Minnesota Opera.
Lyric’s presentation of Mozart’s The Magic Flute is generously made possible by The Negaunee Foundation, Nancy & Sanfred Koltun, Liz Stiffel, the Gramma Fisher Foundation of Marshalltown, Iowa, Mr. & Mrs. Dietrich M. Gross, and Randy L. & Melvin R.* Berlin.
*deceased
LYRIC PREMIERE & NEW-TO-CHICAGO PRODUCTION
Catán
FLORENCIA EN EL AMAZONAS
Sung in Spanish with projected English texts
November 13, 18, 21m, 26, 28m, 2021
FLORENCIA
Ana María Martínez
ROSALBA
Gabriella Reyes*
ARCADIO
Mario Rojas°
PAULA
Deborah Nansteel
ALVARO
Levi Hernandez°
RIOLOBO
Ethan Vincent*
CAPTAIN
Raymond Aceto
CONDUCTOR
Jordan de Souza*
DIRECTOR
Francesca Zambello
SET DESIGNER
Peter J. Davison
COSTUME DESIGNER
Catherine Zuber
LIGHTING DESIGNER
Mark McCullough
PROJECTION DESIGNER
S. Katy Tucker*
CHORUS MASTER
Michael Black
CHOREOGRAPHER
Eric Sean Fogel
*Lyric Opera debut
°Ryan Opera Center alumnus
Original production from Houston Grand Opera.
Lyric’s premiere of Catán’s Florencia en el Amazonas is generously made possible byan Anonymous Donor and Marion A. Cameron-Gray.
LYRIC PREMIERE & NEW-TO-CHICAGO PRODUCTION
Mazzoli/Vavrek
PROVING UP
Performed in English with projected English texts
January 22, 26, 28, 30m, 2022
Proving Up will be performed in the Owen Theatre at Goodman Theatre. On sale Summer 2021.
MA ZEGNER
Talise Trevigne
PA ZEGNER
Edward Parks
MILES ZEGNER
Miles Mykkanen*
LITTLER SISTER
Boya Wei*
TALLER SISTER
Annie Rosen°
SODBUSTER
Andrew Harris*
CONDUCTOR
Enrique Mazzola
DIRECTOR
James Darrah*
SET DESIGNER
Adam Rigg*
COSTUME DESIGNER
Chrisi Karvonides-Dushenko*
LIGHTING DESIGNER
Pablo Santiago*
*Lyric Opera debut
°Ryan Opera Center alumna
Adapted from the short story “Proving Up” by Karen Russell.
Co-commissioned by Washington National Opera, Opera Omaha, and Miller Theatre at Columbia University. ©2018 G.Schirmer, Inc.
Maestro Enrique Mazzola is generously sponsored by Alice & John Butler, Sylvia Neil & Daniel Fischel, and the Robert & Penelope Steiner Family Foundation.
NEW-TO-CHICAGO PRODUCTION
Puccini
TOSCA
Sung in Italian with projected English texts
March 12, 15, 18, 23m, 26, April 3m, 7m, 10m, 2022
TOSCA
Michelle Bradley*
CAVARADOSSI
Russell Thomas
SCARPIA
Fabian Veloz*
SPOLETTA
Rodell Rosel°
SACRISTAN
Alan Higgs°
CONDUCTOR
Eun Sun Kim*
DIRECTOR
Louisa Muller
SET DESIGNER
Jean-Pierre Ponnelle
COSTUME DESIGNER
Marcel Escoffier
LIGHTING DESIGNER
Duane Schuler
CHORUS MASTER
Michael Black
*Lyric Opera debut
°Ryan Opera Center alumnus
Original production built for San Francisco Opera.
Lyric’s presentation of Puccini’s Tosca is generously made possible by Willkie Farr & Gallagher LLP and the Mazza Foundation.
NEW CO-PRODUCTION
Blanchard/Lemmons
FIRE SHUT UP IN MY BONES
Performed in English with projected English texts
An opera by Terence Blanchard
Based on the book by Charles M. Blow
Libretto by Kasi Lemmons
March 24, 27m, April 2, 6m, 8, 2022
CHARLES
Will Liverman°
BILLIE
Latonia Moore*
DESTINY/LONELINESS/GRETA
Jacqueline Echols*
SPINNER
Chauncey Packer*
CHESTER
Christopher Kenney°
CONDUCTOR
Daniela Candillari
CO-DIRECTORS
James Robinson*
Camille A. Brown*
CHOREOGRAPHER
Camille A. Brown*
SET DESIGNER
Allen Moyer
COSTUME DESIGNER
Paul Tazewell
LIGHTING DESIGNER
Christopher Akerlind
PROJECTION DESIGNER
Greg Emetaz
CHORUS MASTER
Michael Black
*Lyric Opera debut
°Ryan Opera Center alumnus
A co-production of Lyric Opera of Chicago, the Metropolitan Opera, and LA Opera.
Commissioned by the Metropolitan Opera. Originally commissioned by Opera Theatre of Saint Louis, co-commissioned by Jazz Saint Louis.
Lyric’s new co-production of Blanchard/Lemmons’s Fire Shut Up in My Bones is generously made possible by an Anonymous Donor, Gael Neeson, and the Lauter McDougal Charitable Fund.
LYRIC PREMIERE
SIR ANDREW DAVIS CONDUCTS BEETHOVEN 9
Sung in German with projected English texts
April 1, 2022
Soloists to be announced at a later date.
Lyric Opera of Chicago is committed to redefining what it means to experience great opera. The company is driven to deliver consistently excellent artistry through innovative, relevant, celebratory programming that engages and energizes new and traditional audiences.
Under the leadership of General Director, President & CEO Anthony Freud, Music Director Sir Andrew Davis, Music Director Designate Enrique Mazzola, and Special Project Advisor Renée Fleming, Lyric is dedicated to reflecting, and drawing strength from, the diversity of Chicago. Lyric offers, through innovation, collaboration, and evolving learning opportunities, ever-more exciting, accessible, and thought-provoking audience and community experiences. We also stand committed to training the artists of the future, through The Patrick G. and Shirley W. Ryan Opera Center; and to becoming increasingly diverse across our audiences, staff, programming, and artists—magnifying the welcoming pull of our art form, our company, and our city.
Through the timeless power of voice, the splendor of a great orchestra and chorus, theater, dance, design, and truly magnificent stagecraft, Lyric is devoted to immersing audiences in worlds both familiar and unexpected, creating shared experiences that resonate long after the curtain comes down.
Join us @LyricOpera on Twitter, Instagram, and Facebook.
Lyric Opera of Chicago thanks its Official Airline, American Airlines.
Lyric Opera of Chicago is supported in part by a grant from the National Endowment for the Arts in response to the COVID-19 pandemic and acknowledges support from the Illinois Arts Council Agency.
Photo: (c) Darris Lee Harris Photography